Outliers is an open-ended area within the archive for works whose relationship to the wider practice has not yet become clear. Like the other investigations, it is not a fixed category or a final destination. The works gathered here may eventually reveal connections to existing areas of inquiry, develop into new investigations or remain singular propositions. Their current position reflects not a lack of development, but the fact that the questions they raise have not yet found a larger framework.

The works within this category are united less by a specific subject than by their resistance to immediate classification. They may emerge from an intuition, an image, a material experiment, a commission or an idea that has not yet developed into a sustained line of inquiry. Some may appear disconnected from the broader concerns of the practice; others may contain the beginnings of questions whose significance only becomes visible over time.

This openness is important to the way the practice develops. Not every work begins with a clearly articulated question, and not every question announces its relevance immediately. Ideas can remain dormant before resurfacing elsewhere, while seemingly unrelated works can reveal unexpected connections when viewed across time. The relationships between works are sometimes discovered retrospectively rather than predetermined.

Outliers therefore functions as a space for uncertainty and possibility. It allows works to exist without requiring them to immediately justify their place within a larger conceptual system. Rather than forcing every work into an existing framework, the category preserves the possibility that new frameworks may emerge from the works themselves.

In this sense, Outliers is not outside the practice, but at its edges: a space where ideas remain unresolved, connections remain open and new directions may begin. It acknowledges that an artistic practice is not always formed through a linear progression of clearly defined investigations, but through accumulation, divergence and the gradual recognition of patterns.

The works gathered here remain open to becoming something else.